Relive the scandalous moments, feuds, and shade that defined the glamorous decade.&nbsp;

Whether it&rsquo;s shocking grunge collections or backstage brawls, 1990s runway drama was unmatched. Beginning in the '<a href="https://www.lofficielusa.com/fashion/pleated-pants-trend-summer-80s">80s</a>, the rise of supermodels like<a href="https://www.lofficielusa.com/fashion/naomi-campbell-new-mom-baby-daughter-instagram"> Naomi Campbell,</a><a href="https://www.lofficielusa.com/fashion/1990s-fashion-linda-evangelista-retro-style-get-the-look"> Linda Evangelista</a>, Stephanie Seymour, and<a href="https://www.lofficielusa.com/fashion/helena-christensen-pandora-mothers-day"> Helena Christensen</a> paved the way for a fashion match made in heaven: unchecked egos, high drama, and great clothes. Here, L'OFFICIEL rounds up the most iconic drama from the '90s runways.

Kate Moss and Kristen McMenamy at Versace Spring/Summer 1996.

Who would have thought that hair would be a major topic of discussion at<a href="https://www.lofficielusa.com/fashion/donatella-versace-and-her-bondage-dress"> Versace</a> Spring/Summer 1996? For supermodels Kristen McMenamy and<a href="https://www.lofficielusa.com/fashion/linda-evangelista-best-runway-moments-age-90s-supermodel"> Linda Evangelista</a>, it was a fraught point of contention backstage. The major questions at play? Who did it first and who looks better.
Donatella Versace <a href="https://www.independent.co.uk/life-style/fashion/features/donatella-versace-i-m-not-believer-natural-look-1892132.html">recounted,</a> "One day they had a fight about roots. Kristen had arrived with black roots in blonde hair, and Linda arrived with black roots in blonde hair; and both of them went mad, both saying they were first. They were calling the hairdresser in New York, the colorist in New York, and I was called on as a witness to say who was the first to do black roots in blonde hair." Versace continues, "When a new girl came along, oh my God, it was like a war."

Karl Lagerfeld and Ines de la Fressange&nbsp;

Ines de la Fressange at Chanel Fall/Winter 1990.

Though the enigmatic designer and longtime<a href="https://www.lofficielusa.com/fashion/kristen-stewart-behind-the-scenes-chanel-metiers-dart-pre-fall-2021campaign"> Chanel</a> muse eventually made up, the early '90s was a period of turmoil for the pair. Ines de la Fressange was asked to pose as Marianne&mdash;the symbol of the French Republic&mdash;for a fashion editorial. <a href="https://www.lofficielusa.com/fashion-week/chanel-fashion-is-saying-goodbye-to-karl-lagerfeld">Lagerfeld</a> detested the decision, viewing Marianne as a symbol of the bourgeois and something against the DNA of Chanel.&nbsp;
The designer stated, &ldquo;I wish her all the luck in the world, just as long as I don&rsquo;t have to hear anymore or hear her spoken about.&rdquo; About 20 years later, the pair became amiable again when the model walked for Chanel's Spring/Summer 2011 show.

Kate Moss and Mark Wahlberg at Calvin Klein Fall/Winter 1992. 

A stark departure from the bombshells of the era, <a href="https://www.lofficielusa.com/pop-culture/kate-moss-nft-videos" target="_blank" rel="noopener">Kate Moss</a><a href="https://www.lofficielusa.com/art/subasta-especial"> redefined</a> fashion in the early '90s, ushering in the era of waif-esque beauty and grunge. In 1992, the then 17-year-old posed with rapper Mark Wahlberg in a provocative and now notorious advertisement. Though the two were undoubtedly the face of the American brand, they famously did not get along both on and off the runway.&nbsp;
Wahlberg insulted Moss' slender figure and Moss admitted she felt extremely uncomfortable working with the model and rapper. In 2013, <a href="https://www.lofficielusa.com/fashion/calvin-klein-collection-pride-2021" target="_blank" rel="noopener">Calvin Klein</a> stated, "Oh, my god. Mark and Kate couldn&rsquo;t stand each other.&rdquo;

Alexander McQueen Fall/Winter 1996

Helena Christensen at Alexander McQueen Fall/Winter 1996.

Titled "Dante," <a href="https://www.lofficielusa.com/fashion/alexander-mcqueen-iconic-runway-shows-designer-lee-mcqueen-fashion-history" target="_blank" rel="noopener">Alexander McQueen</a> set out to shock for his Fall/Winter '96 show. In true McQueen form, the designer incorporated elements of grunge, harshness, and disgust in both the show space and the garments. Set in a towering church, the crucifix-shaped runway was embedded in layers of candles and decorations.
Creating a bit of drama as McQueen always does, the designer placed a skeleton in the seat next to famed fashion critic Suzy Menkes. Post-show, McQueen told reporters, "If I get someone like Suzy Menkes in the front row, wearing her fucking <a href="https://www.lofficielusa.com/fashion/desigual-christian-lacroix-10-year-anniversary" target="_blank" rel="noopener">Christian Lacroix</a>, I make sure that lady gets pissed on by one of the girls." Let's just say Menkes wasn't too pleased.

Gianni Versace and Giorgio Armani

Two of the '90s biggest names, <a href="https://www.lofficielusa.com/fashion-week/giorgio-armani-spring-2020">Giorgio Armani</a> and <a href="https://www.lofficielusa.com/fashion/gianni-versace-fashion-signatures-designer-history-medusa-bondage">Gianni Versace</a>, occupied two different spectrums of the fashion industry: minimalism and maximalism. The Italian designers famously never saw eye to eye, with each slinging subtle jabs back and forth&mdash;like when Gianni famously said to Armani, &ldquo;I design for sluts. You dress church ladies.&rdquo; Yikes.&nbsp;
Despite their feud, Armani wrote of Versace, &ldquo;Fifteen years after his death, what [do] I remember of Gianni Versace? His incredible exuberance, a sense of happiness that mixes everything&mdash;ideas, trends, memories, art&mdash;with a sort of nonchalant vitality. He was a great creator."

When <a href="https://www.lofficielusa.com/pop-culture/tyra-banks-top-model-sports-illustrated-age">Tyra Banks</a> came onto the fashion scene in the early '90s, <a href="https://www.lofficielusa.com/fashion/naomi-campbell-most-iconic-90s-catwalk-moments">Naomi Campbell</a> had already established herself as a force to be reckoned with. The two famously never got along, accusing each other of blacklisting the other from shows and spreading rumors&mdash;of course, they both deny what the other says.&nbsp;
Banks feels that the tiff between the two was not a rivalry because "a rivalry is between two equals. In this situation one was very dominant, she was a supermodel, and I was just this new girl that had got on a plane from Paris and was studying fashion and magazines.&rdquo; Though the two have<a href="https://www.lofficielusa.com/pop-culture/naomi-campbell-tyra-banks-feud-instagram"> attempted to make up</a> several times, we are not holding our breath for a sudden friendship breakthrough.

Tom Ford and Yves Saint Laurent.

<a href="https://www.lofficielusa.com/film-tv/tom-ford-movies-nocturnal-animals-director-netflix">Tom Ford</a> was a fashion juggernaut throughout the 1990s. The American designer took the reins at both<a href="https://www.lofficielusa.com/fashion/vintage-gucci-moments-jackie-kennedy-tom-ford"> Gucci</a> and<a href="https://www.lofficielusa.com/travel-living/yves-saint-laurent-villa-marojelle-2018"> Yves Saint Laurent,</a> the latter at which he was creative director from 1999 to 2004. Ford's sexed-up and pared-down approach was a stark departure from the original vision of Saint Laurent. YSL was quoted in a letter to Ford saying, "In 13 minutes you destroyed 40 years of my work.&rdquo;

Perry Ellis Spring/Summer 1993.

Dubbed the "Grunge Collection,"<a href="https://www.lofficielusa.com/fashion/marc-jacobs-brings-back-his-infamous-grunge-collection"> Perry Ellis Spring/Summer 1993</a> caused quite the buzz within the fashion industry. Then-Creative Director<a href="https://www.lofficielusa.com/fashion/marc-jacobs-famous-friendships"> Marc Jacobs</a> sent beanies, plaids, and oversized silhouettes down the usually pared-back Perry Ellis runway.
Though the collection may seem tame to a modern eye, it certainly shocked industry insiders who were accustomed to a certain level of glamour from fashion week mainstays. Just a few weeks after, during Milan Fashion Week, critic Suzy Menkes handed out &ldquo;Grunge is Ghastly&rdquo; pins to fellow editors, showing the level of shock and mania the collection created.

The 8 Most Dramatic '90s Runway Moments

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