Exploring French Screen Sirens Throughout Film History
Take a look at some of the most iconic French actresses who made waves on the big screen throughout film history.
In the past century, France has produced some of the most iconic films, revolutionary cinematic movements, and several waves of film ingénues and celebrated stars alike. Many of the French women who rose to fame as actresses were not only beloved within the country but also managed to rise to the international level, starring in Hollywood films and working in fashion campaigns later in their careers.
Ranging from the French New Wave era to the past few decades, get to know some of the most celebrated French actresses in the industry as we explore their careers, lives, and legacies.
Brigitte Bardot
Brigitte Bardot began her long career at 15 in 1950, when she modeled for the cover of Elle and was subsequently offered an acting role. At the audition, Bardot met Roger Vadim, a then-up-and-coming film director and screenwriter with whom she entered a relationship. Bardot starred in a number of films following her initial introduction to Vadim, including Crazy for Love (1952), Act of Love (1953), and Doctor at Sea (1955), but her leading roles in Vadim's Naughty Girl (1956) and And God Created Woman (1956) skyrocketed her to the global screen, solidifying her presence as an acclaimed actress and cementing her international popularity. Bardot was widely known for her portrayals of sexually liberated women in film and captured the attention of many French philosophers, including feminist activist and intellectual, Simone de Beauvoir.
As the '60s progressed, Bardot was still a hugely popular actress and icon across the globe, and starred in several international films, including her first Hollywood movie, Dear Brigitte (1965).
In the '60s and '70s, Bardot also recorded several albums and enjoyed many successful hits throughout her career, such as "Harley Davidson, ""Je Me Donne À Qui Me Plaît," and "Bubble Gum." Many of Bardot's most famous musical hits were recorded in collaboration with industry icons like Serge Gainsbourg, Bob Zagury, and Sacha Distel.
In 1973, Bardot starred in her final film, titled The Edifying and Joyous Story of Colinot. Following her retirement from the entertainment industry, Bardot established the Brigitte Bardot Foundation for the Protection and Welfare of Animals, personally funding the project through an auction of jewelry and personal belongings, which raised over three million francs. In the years since, Bardot has remained an active animal rights advocate and has been involved in many protests and public campaigns surrounding similar issues.
Catherine Deneuve
Catherine Deneuve acted in her first film in 1957, at the age of 13, but rose to stardom with the classic film and musical The Umbrellas of Cherbourg (1964). Deneuve quickly became well-known for her skillful portrayal of the cold and aloof woman archetype, a role which she played several times in films such as Repulsion (1965), Belle de Jour (1967), and Tristana (1970). Throughout her career, Deneuve was nominated for the illustrious César Award a total of 14 times, and once each for an Academy Award and a BAFTA Award.
Outside of her work on the screen, the French actress was also a prolific model. In the '70s, Deneuve was the face of Chanel's iconic No. 5 perfume, causing United States sales of the fragrance to skyrocket, and prompting the American press to become heavily invested in her career. Deneuve was also dressed by Yves Saint Laurent in six separate films, and later, in the '90s, became the face of the French couture designer's skincare line. Continuing on the legacy of several French muses before her—including Brigitte Bardot and Mireille Mathieu—Deneuve's image was used as Marianne, the national symbol of France—a personification of the ideals of liberty, equality, and reason.
Deneuve has continued to star in films to this day, with her most recent role being in Bernadette (2023). Aside from her film and modeling work, Deneuve has spent recent years involved in charity work and various political movements.
François Dorléac
Rather than beginning her career as an actress like many of her contemporaries, Françoise Dorléac entered the industry as a model for Dior. However, as the daughter of two screen actors and elder sister to the rising star Catherine Deneuve, Dorlèac followed her modeling days with several film credits, including The Wolves in the Sheepfold (1960), her debut film, and The Door Slams (1960), in which she starred alongside her sister.
Dorlèac's work in the early '60s, both as a model and actress, earned her significant praise and attention from the press and industry figures alike, resulting in her eventual international stardom, following her role in the classic film That Man From Rio (1964), where she co-starred with Jean-Paul Belmondo, a well-known French New Wave actor. Following the breakout success of That Man From Rio, Dorlèac went on to work with renowned director François Truffaut, starring in his film The Soft Skin (1964). Dorlèac acted in several more breakout hits in the next few years, working with directors like Roger Vadim and Roman Polansky. In 1967, Dorlèac joined Gene Kelly and her sister, Catherine Deneuve, in The Young Girls of Rochefort.
At the young age of 25, Dorlèac passed away unexpectedly after being involved in a fatal car crash in Paris. The young actress was survived by her sister, parents, and lover, François Truffaut. Her final film role was the female lead in Billion Dollar Brain (1967), released months after her sudden passing.
Bernadette Lafont
Often known as the "face of the French New Wave," Bernadette Lafont began her long career in 1958 with the film Les Mistons, which was directed and written by François Truffaut. Lafont also worked frequently with director Claude Chabrol, another director at the center of the French New Wave movement.
Over the course of her career, Lafont was nominated for several César Awards, one of which she won for her acting in An Impudent Girl (1986). In 2003, she was also awarded an honorary César Award for her service to the French film industry and her impact on the culture. Aside from her work on the film screen, Lafont acted in TV shows and even worked as a stage actress in several plays.
Isabelle Huppert
Isabelle Huppert made her feature film debut in 1972 with a minor role in Faustine et le Bel Été, a romantic comedy screened at the Cannes Film Festival that same year. Just a few short years later, Huppert won her first César Award for Best Supporting Actress in Äloise (1975), and shortly after that success, Huppert won a BAFTA for her performance in Le Dentelliere (1977), which acted as her international breakthrough role.
Following her prolific film work in the '70s, Huppert made her American film debut in the '80s. The French actress also continued to work with French filmmakers, collaborating with renowned directors like Claude Chabrol, whom she worked on eight separate films with, and Jean-Luc Godard, another filmmaker famous for his role in French New Wave cinema. Throughout the '80s, Huppert also began to explore new roles and new character archetypes, often playing enigmatic and emotionally cold characters, a role in which she excelled, as seen in her critical success. During the '80s and '90s, Huppert also expanded her range, acting in stage productions as well as films.
Throughout her long, successful career, Huppert has amassed 16 César Award nominations and two wins, a BAFTA Award, a Golden Globe Award, and an Academy Award nomination, among others. As of 2022, Huppert holds the Cannes Film Festival record for most film credits entered in the official competition and is also the most nominated actress in the history of the César Awards.
Isabelle Adjani
Isabelle Adjani's first major role was in The Story of Adele H. (1975), a leading role in which she was personally cast by François Truffaut after he recognized her talent in earlier minor roles she played. The film was a critical success and a global breakout hit, causing Adjani to be nominated for her first Academy Award at only 19. Adjani held the record for youngest Best Actress nominee for over 30 years.
Following her Academy Award nomination, Adjani acted in several other notable films, including The Tenant (1976), The Driver (1978), Quartet (1981), and Ishtar (1987). To this day, Adjani is the only French actress to hold five César Award wins in the category of Best Actress, a feat which spurred Adjani's nomination as a Knight of France's Legion of Honor.
Emmanuelle Béart
Since the beginning of her career in 1972, Emmanuelle Béart has acted in over 60 film and television roles. After playing minor roles in several films over the years, Béart enjoyed her first breakout success with a major supporting role in the film Manon des Sources (1986), which earned the French actress her first César Award. Since her first nomination, Béart has been nominated for seven more César Awards.
Aside from her work on the screen, Béart has engaged in everything from modeling to charity work. In 2003, Béart starred as the May cover model on the French edition of Elle magazine. The magazine sold 550,000 copies in three days, selling out the entire print run in record time. Béart is also well known for her social activism and has been a UNICEF ambassador for over a decade.
Juliette Binoche
Juliette Binoche began her career in 1983 with a small role in a feature film. The minor role that Binoche played in Liberty Belle (1983), only required her to be on set for two days but offered the French actress a glimpse into the film industry and inspired her to continue acting. After her first minor role, Binoche went on to audition for Jean-Luc Godard's 1983 film Hail Mary, in which she ended up securing a role. Following several other supporting roles in French films in the mid-'80s, Binoche scored her first major lead role in André Téchinés Rendez-vous (1985), which experienced massive success at the Cannes Film Festival that year, and launched Binoche into stardom. In 1986, Binoche was nominated for a César Award for her performance in Rendez-vous, the first of several prestigious award nominations.
In 1986, Binoche began working on The Unbearable Lightness of Being (1988), in which she played Tereza in her first English-speaking role. The movie was a critical success, and Binoche was once again propelled into the public perception as a talented French actress. Following this success, Binoche continued to act in French films for several more years, until the '90s, when she began to take on more international roles. Her most well-known international film credit includes Wuthering Heights (1992), a film adaptation of Emily Brönte's famous novel, where she co-starred alongside Ralph Fiennes. Throughout the rest of the '90s, Binoche acted in numerous films, both French and international, the most renowned among them being Three Colors: Blue (1993), The English Patient (1996)—which she won an Academy Award for— and Chocolat (2000).
Since her breakout international success and recognition in the '90s, Juliette Binoche has continued to act, receiving numerous accolades and nominations for her work. In addition to her lengthy list of film credits, the last of which was released in 2023, Binoche is also an outspoken public figure on political matters and activist concerns, partaking in protests and public campaigns alike to support her causes.
Lèa Seydoux
Lèa Seydoux has been turning heads as an actor and model since 2006 when she landed her first film role in Girlfriends, a French film. Seydoux made a name for herself in the film industry in the mid-2000s, acting in supporting and minor roles in France, as well as Hollywood. Her lesser-known roles in major motion pictures include minor roles in Quentin Tarantino's Inglourious Basterds (2009), Woody Allen's Midnight in Paris (2011), and Mission Impossible - Ghost Protocol (2011). Seydoux made her first breakthrough as an actor with her role in the French film Blue is the Warmest Color (2013), a performance that earned her the Palme d'Or at the Cannes Film Festival, and spurred her acquisition of the role of a Bond girl in Spectre (2015), and later No Time To Die (2021).
Seydoux's first appearance as Bond girl Madeleine Swann in Spectre earned her significant international acclaim, praise, and recognition. Aside from her iconic role in several James Bond films, Seydoux worked with Wes Anderson on The Grand Budapest Hotel (2014) and The French Dispatch (2021), and has starred in other international films, including Beauty and the Beast (2014), The Lobster (2015), and Zoe (2018). As a young actor, Seydoux has already amassed several distinguished accolades, including two Lúmieres Awards, and five César Award nominations. In 2022, Seydoux was named a Knight of the Legion of Honor by the French government in honor of her cultural and artistic achievements. Seydoux has also appeared on numerous magazine covers, and in 2016, the French actress was named a brand ambassador for Louis Vuitton.
Marion Cotillard
Distinguished French actress Marion Cotillard began her illustrious film career at the early age of 7 with a minor role in a French short film, Le Monde des Tours-Petits (1982). Cotillard continued to work as an actress throughout her adolescence and young adulthood, working on French projects from TV ads to starring in feature-length box office hits. Cotillard earned her first César Award nomination in 1998 for her work in Taxi, where she played the charming girlfriend of a delivery boy, a role that helped the actress gain publicity within France and on an international scale. Cotillard continued acting in French films until 2003, where she auditioned for and was subsequently cast in a Hollywood role in Tim Burton's Big Fish, marking the beginning of her transition into a Hollywood actress. From there, Cotillard went on to star in various French and Hollywood films alike in the next few years, landing roles working with directors like Ridley Scott and Jean-Pierre Jeunet.
In 2007, Cotillard was personally chosen by director Olivier Dahan to star as famed French singer Édith Piaf in a biography about the artist titled La Vie en Rose (2007), after one of the singer's biggest hits. Cotillard was almost universally praised for her portrayal of the iconic singer, with some critics even going as far as to dub the actress the reincarnation of the singer. La Vie en Rose received a 15-minute standing ovation during its screening at the Berlin International Film Festival, and just following the premiere of the film at the festival, Cotillard signed with a Hollywood talent agency, revealing her commitment and intent to continue on her path to stardom. Not only did the film enjoy a massive success in the French box office, but it earned over three times the original budget at the global scale. Cotillard's performance in La Vie en Rose enraptured viewers, earning her nominations and subsequent historic wins at the Academy Awards and the BAFTAs.
Following her rise to a new status as an internationally recognized star actress, Cotillard took roles with acclaimed directors like Christopher Nolan, where she played Leonardo DiCaprio's wife in Inception (2010), Woody Allen, in his 2011 film Midnight in Paris, and subsequently back to Christopher Nolan, making an appearance as the character Miranda Tate in the 2012 film The Dark Knight Rises. Following these Hollywood credits, among other highly acclaimed performances and achievements, such as being named the highest-paid French actress in history, in the following years, Cotillard has starred in a mixture of international and French films and other acting projects since.
Audrey Tautou
After participating in the competition "Jeunes Premieres" (Young Debuts) and winning the Best Young Actress Award at the Béziers Festival of Young Actors in her early 20s, Audrey Tautou was given her first major role in a feature-length film, co-starring in Venus Beauty Institute (1999), a performance that earned the young French actress her first César Award. Following the critical success of the romantic comedy, Tautou also received the Prix Suzanne Bianchetti, an award given to the country's most promising young actress.
In the year following the release of Venus Beauty Institute, Tautou starred in several more French films, before landing the major role of the titular character in Amélie (2001). Amélie grossed over $33 million in its theatrical release and launched Tautou as an international sensation. The film won four César Awards and two BAFTA Awards and earned five Academy Award nominations. To this day, it remains the highest-performing French-language film released in the United States.
Following the massive success of Amélie, Tautou starred in several more critically acclaimed films in the early 2000s, including Dirty Pretty Things (2002), A Very Long Engagement (2004), The Da Vinci Code (2005), and French film hit Hors de Prix (2006). Tautou also began an enduring relationship with the fashion house Chanel, beginning her journey with a critically well-received portrayal of Coco Chanel in Coco Before Chanel (2009), a film that was nominated for several BAFTAs and an Academy Award. After the release of Coco Before Chanel, Tautou was chosen as the next spokesperson for Chanel No. 5, the label's most iconic fragrance, and has since worked on other modeling jobs and campaigns, all while continuing to star in primarily French films.